推荐区域：新加坡 日本 英国
The painting of flowers with pink color has already appeared in Yongzheng, and the use of techniques has become more and more mature. Compared with Yongzheng, there is no fundamental breakthrough, but only on the basis of Yongzheng's mature pink flower skills. Complicate the pattern.
This piece of Yongzheng imperial hundred flowers do not fall to the ground, "100 flowers do not fall to the ground", refers to the combination of pink and gold color, all colors of flowers will fill the whole picture, do not reveal the porcelain bottom, nor show the branches of the flowers. A hundred flowers like heaven scattered flowers, floating in the air, so called "hundred flowers do not fall to the ground." A hundred flowers do not fall on the floor is a way of expression of porcelain glaze color, belongs to a kind of powder color. It was the product of the Qing Dynasty when the social culture reached its peak. In the Imperial Kiln Factory of Jingdezhen in the Qing Dynasty, a group of the most famous craftsmen of the contemporary era were gathered, so that the porcelain of this period, both in quantity and in quality, reached an unattainable height. A hundred flowers are not exposed This is the time at which the earth came into being.
Thousand Flowers also known as "kaleidoscope", "Wanhua pile", "Wanhua Shantu", and so on. One of the flower themes of Jingdezhen pink porcelain in the Qing Dynasty. Most of these ornaments paint large patterns such as peonies in the center of the objects, and around them draw and paint chrysanthemums, camellia, rose, lotus, lily, morning cow, and so on, and have very fine auxiliary patterns, and so on, and there are many small flower patterns, such as chrysanthemum, camellia, rose, lotus, lily, morning cow, and so on. Let the screen cover all utensils, it does not show the ground, meaning a hundred flowers are Rui, prosperous times rise flat. "A hundred flowers" of the screen elaborate, very skillful, against the object itself elegant, strong visual impact shows a great beauty. So, "Thousand Flowers" is dedicated to Industry figures can only be said to be the result of "inheritance and innovation".
Pink porcelain, as the Qing Dynasty court to create and burn the colored porcelain. It sprouted in the Qing Dynasty Kangxi years, mature in the Yongzheng period, peak in the Qianlong period. The powder porcelain of Qianlong period integrated the porcelain-making technology of Kangxi and Yongzheng dynasties, and further developed the native porcelain, thus creating many novel pink porcelain. More and more elaborate decorative techniques, rich in shape and variety, especially for furnishings of the major utensils. This collection is open, deep belly, and encircling foot. The shape of the whole instrument is solemn and generous, outside the body of the instrument painted powder color flower decoration, comprehensive variety of flowers, the screen is dense and detailed, colorful. Because the hundred flowers are dense and not easy to see the decorative colors, commonly known as "hundred flowers." Do not fall to the ground, painting is extremely beautiful, flower overturned posture, Yin and Yang opposite side, each of them. Its glaze color is uniform and transparent, it is a fine product.
"with such a good color in the city, the flowers of the late days of the heavenly religion." These two poems by Liu Yuxi, a poet of the Tang Dynasty, can also describe the beauty of pink. Pink porcelain is the product of Chinese history and culture, is the art treasure and wisdom crystallization of the Chinese nation, is also the outstanding representative and important part of Chinese ceramic culture, and it embodies the profound cultural connotation and the characteristics of the times.
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